Projects | Media, 3D & Systems Work by Warwick Soar

2006-2013 Stereoscopic 3D

Haptics S3D and cinema delivery

Seven years as Stereoscopic/3D Technical Director and Animator joined creative production to the complete technical path: stereoscopic acquisition, projection planning, 3D rendering, compositing, cinema-server delivery, showreels, and presentation systems. The work covered cinema, broadcast, brands, live presentation, and experimental 3D production.

Warwick's role: Stereoscopic/3D technical direction, animation, production systems, and cinema delivery within Haptics.

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**Haptics 2D showreel, 2012**Motion design, animation, compositing, and commercial production from the period.

**Haptics 3D showreel, 2012**A stereoscopic presentation of the studio's 3D production work.

**Haptics 3D showreel, 2010**Earlier stereoscopic work showing the technical and creative range of the studio.

2009-2011 Global stereoscopic production

FIFA World Cup Trophy Tour and Magic Signal 3D

A major stereoscopic production created for the FIFA World Cup Trophy Tour by Coca-Cola. Warwick led technical, animation, and stereoscopic 3D direction across production, left/right-eye assets, cinema mastering, Doremi-server delivery, 5.1 material, credits, and international exhibition support.

The finished films travelled into cinema and tour environments across Africa and the Middle East, including Egypt and Nigeria.

Project scope: Technical and animation direction from production through cinema mastering and international exhibition support.

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**FIFA 2010 stereoscopic left-eye film**One eye of the stereoscopic production master, showing the original 3D pipeline.

**FIFA World Cup 2010 animation**Animation produced for the FIFA World Cup project.

**FIFA World Cup Trophy, 2009**A film from the Trophy Tour production.

February 2013 Front projection

Front-projection camera rig

A rapid technical-development sequence spanning proof of concept, paired projection hardware, camera integration, physical rig construction, and two shoot days. Initial tests on 22 February moved directly into build and production work on 23-24 February 2013.

Warwick's role: Projection-system development, camera integration, physical prototyping, and on-set testing.

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Front-projection proof of concept on a studio cyclorama

Paired projection hardware during the proof-of-concept test

Camera and projection hardware integrated on the test rig

April 2013 Physical prototyping

Chroma projection rig

A purpose-built projection rig developed from a measured hand sketch through material preparation and fabrication to a completed working frame. The build moved through a clear practical sequence: define the geometry, prepare the components, assemble, and test the physical result.

Warwick's role: Technical design, fabrication planning, and hands-on build.

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Measured hand sketch for the chroma projection rig

Metal components and tools prepared for fabrication

Completed metal chroma projection rig frame

30 July 2013 Editorial photography

EFC Africa 21 fight-night photography

A 350-frame event set produced during Warwick's time as Video and Media Producer at DO IT NOW Magazine. Shot through the cage under arena lighting, the sequence required clean timing, workable sightlines, and enough coverage to carry both the athletic action and the live-event atmosphere.

Warwick's role: Event photography and media production for DO IT NOW Magazine.

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Two fighters facing each other through the arena cage

A fighter delivering a kick during an EFC Africa bout

Two fighters exchanging strikes inside the cage

2014-2018 Production system

Pulse Works production foundation

A sustained body of video, photography, motion graphics, event coverage, automotive media, and post-production work. Between 2014 and 2017 alone, the studio delivered 276 tracked projects, followed by BMW Mini and Jaguar Land Rover VMS work, live-event media, 3D screen tests, and commercial animation.

Warwick's role: Founder, producer, editor, motion designer, and production-system builder.

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2014 Motorsport television and live media

SupaDrift national series production

Across the 2014 SupaDrift national series, Warwick built and ran a lean production system for television, digital promotion, and event coverage. Working with minimal resources, he carried production and direction, cinematography, data wrangling, editing, motion graphics, animation, and delivery. The output included Ignition TV programmes and inserts, broadcast and digital promos, event films, and qualifying-run coverage.

The same production included an early mobile live-streaming solution assembled around a laptop, switch box, wireless video link, 3G antenna and dongle, with backup connectivity. It streamed multiple rounds while the wider workflow moved footage from trackside acquisition through editing, final audio mix, and broadcast delivery.

Warwick's role: Production, direction, cinematography, data wrangling, editing, motion graphics, animation, broadcast delivery, and mobile live streaming.

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**Ignition TV SupaDrift 2014 EP5 insert**A seven-minute television insert from the national series.

**SupaDrift 2014 SD06 promo**Event promotion produced during the transition into Pulse Works.

**SupaDrift 2014 SD07 promo**A full digital event film from the Mahikeng round.

**SupaDrift 2014 SD08 digital promo**Digital promotion from the Durban series finale.

**SupaDrift in 3D**A stereoscopic experiment filmed at Dezzi Raceway in Port Shepstone.

March 2015 Studio production

My Taal is Musiek studio shoot

A compact multi-camera studio setup for recorded artist performances, bringing lighting, audio, camera monitoring, and practical production support together for the 4 March 2015 session.

Warwick's role: On-set production and camera support within the Brandboom team.

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Camera and lighting positions around a performer in the studio

Studio camera framing a seated musical performance

Presenter and guitarist performing under studio lighting

28 August 2015 Live music production

Fokofpolisiekar at RAD

Coverage of Fokofpolisiekar's Skyn Heilig beer launch at RAD in Centurion combined still photography, videography, recording, and live-to-screen production across Canon 600D and Panasonic HPX250 camera workflows.

Maroela Media published selected photographs and credited Warwick Soar alongside Henno Kruger Photography.

Project scope: Photography, video recording, live screen production, ingest, editing, and delivery for a live music launch.

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2008-2022 Published work

Films and reels

Three public films show Warwick's range across technical 3D production, motion design, and character animation.

Selected work: Commercial 3D, motion-design, and character-animation work published across Warwick's own reels.

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**Tiger Wheel and Tyre commercial**3D modelling, materials, lighting, particles, and network rendering. Published 2008.

**Warwick Soar motion graphics showreel**A selected reel of Warwick's motion-design work.

**Warwick Soar character animation reel**Character performance, animation, and technical craft across selected work.

Since 2018 Live and hybrid events

Event visual media partnership

Pulse Works has supported PriFactor event productions with the visual media layer behind corporate and institutional events: video coverage, post-production, pre-produced inserts, large-format screen graphics, walk-in loops, holding slides, lower thirds, and hybrid-event integration.

Named work includes Innibos festival screen content, TBCSA conference motion graphics, FoodBev SETA AGM systems, Standard Bank events, MTN packages, EW SETA, Bidvest Prestige, NIHSS, and other repeat production environments. The value is not one graphic; it is the dependable system that lets many assets behave as one live show.

Track record: Repeat collaboration across multiple event environments since 2018, continuing through 2026.

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2024-2025 AGM visual system

FoodBev SETA AGM media, via PriFactor

An end-to-end event visual system spanning event look and feel, invitations and CRM assets, holding slides, programme graphics, lower thirds, walk-in material, transitions, end slates, and video integration. The work demonstrates how many individual assets become one coherent screen experience.

Track record: The delivery model was retained across consecutive AGM cycles, with visual design, motion graphics, and video integration supplied through PriFactor.

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2025-present IT and operations

OneNode service and systems platform

OneNode provides practical IT services for small businesses across support, infrastructure, Microsoft 365, security, websites, automation, and understandable operating systems. Warwick built the business model, service catalogue, pricing, lead systems, technical audits, security content, remote-support tooling, hosting, and the delivery platform behind the offer.

In practice: A live commercial service with a public catalogue, operating tools, packaged support, and working customer-delivery systems.

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November 2025-present Documentary heritage

Legacy Boards documentary heritage platform

As co-founder of Legacy Boards, Warwick helps preserve the memories and first-person stories of South African rugby figures through filmed conversations and limited collector boards. Each board connects portraiture, biography, autograph space, and a QR-linked interview into one physical and digital record.

His role brings together patient interviewing, cinematography, editing, technical delivery, and the operating work required to build a repeatable documentary series.

In practice: A live documentary platform combining filmed interviews, collector products, and a repeatable production system.

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2026 Knowledge system

The Working Archive

A long-range personal and professional knowledge system built from conversations, documents, project history, media indexes, and cloud archives. Reaching back to the mid-1990s, it makes more than thirty years of projects, decisions, relationships, and practical experience searchable and useful.

What it enables: Faster access to career context, project stories, service knowledge, and the connections between them.

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Haptics S3D and cinema delivery

FIFA World Cup Trophy Tour and Magic Signal 3D

Front-projection camera rig

Chroma projection rig

EFC Africa 21 fight-night photography

Pulse Works production foundation

SupaDrift national series production

My Taal is Musiek studio shoot

Fokofpolisiekar at RAD

Films and reels

Event visual media partnership

FoodBev SETA AGM media, via PriFactor

OneNode service and systems platform

Legacy Boards documentary heritage platform

The Working Archive

Bring the outcome that needs building.

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